Bluesoterica Archives Blog

 

Stackhouse & BluEsoterica is dedicated to the esoteric appreciation of the blues, as well as to buying, selling and trading all sorts of records, with an eye for the obscure and unusual. Blues research questions and discussions are welcome. Additions and corrections to The Voice of the Blues book and to my articles and columns in Living Blues magazine will be posted here, along with news on various blues projects, new Stackhouse Recording Co. CD releases, and mail order lists. -- Jim O’Neal
In the meantime I’ve managed to release a few CDs on the Stackhouse label. The latest is “Gator Gon’ Bitechu” by Memphis Gold (Chester Chandler), who knows not only how to create original blues music but how to maintain a positive attitude in the face of disaster (he was once homeless on the streets of D.C., and just last year suffered severe injuries in a fall from a tree while working as a tree trimmer). Memphis Gold is at the Cape May Jazz Festival in New Jersey this weekend (www.capemayjazz.com). Check out his web site at  http://www.memphisgoldprod.net/fr_index.cfm.

Mike Rugel DC Music Contributor

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Jim O'neal Relief Benefit

Jim O’Neal, Living Blues founder, ill and uninsured

Jim O’Neal, founder in 1970 of Living Blues magazine and a serious independent researcher into American roots music, is among the 59 million Americans without health insurance, and has lymph cancer. A series of benefit concerts are scheduled to raise funds for his treatments and a fund has been set up at Commerce Bank in Kansas City to accept direct donations: checks to: Jim O’Neal Blues Fund, P.O. Box 10334, Kansas City, MO 64171 or donations via Paypal to the account onealbluesfund@aol.com.

I met O’Neal and LB’s co-founder, his now ex-wife Amy Van Singel, while “interning” at Chicago’s Jazz Record Mart in the late ’60s. They established Living Blues as a decidedly non-commercial venture — not that they were trying to go broke or live poor, but it was ok 40 years ago to follow your passion, especially if it was of cultural significance, with the belief that eventually some small amount of security might follow. However, it hasn’t necessarily panned out that way.

University of Mississippi acquired the magazine in 1983, and today it remains an important chronicle of the bedrock music that has helped get people through their troubles for more than 100 years, feeding much of the rock and pop that’s accrued millions of fans and billions of dollars. Yet blues people and the music remain marginalized, and many of them act like that’s to be expected. Which is ridiculous — what great nation treats its artists, researchers and curators so callously?

O’Neal contributed to the Billboard Illustrated History of Jazz and Blues, published in 2005; I was general editor (it has since been republished with different credits, but the book’s the same). Jim’s writing is lucid, understated and exacting. He’s participated in various blues symposiums, and can be seen in Robert Mugge’s excellent documentary Hellhounds On My Trail – The Afterlife of Robert Johnson, filmed at the Rock ‘n’ Roll Hall of Fame when Delta blues legend Johnson was inducted as an “Early Influence” in 1986.

Here’s the schedule of benefit concerts. The music is sure to be good and heartfelt. Further info from Stackhouse-Bluesoterica, Jim O’Neal’s blog. I have no idea what Jim’s prognosis is, but I hope he gets well.

OCT. 20 SURF CLUB, HYATTSVILLE, MD With Memphis Gold and others
OCT. 28 KNUCKLEHEADS, KANSAS CITY, KANSAS Kenny Neal, Memphis Gold and
others
NOV 19 (date is tentative) BUDDY GUY’S LEGENDS, CHICAGO, ILLINOIS Kenny
Neal, Memphis Gold, Eddie Clearwater, Eddie Shaw, Billy Branch, Elmore James Jr., Nora Jean Bruso and others.

Donate to Memphis Gold

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